![]() ![]() It is not about the next big thing, the newest fresh face, or fashionable favorite (though that often happens, too), but of conveying the feeling of knowing someone, and of being known. ![]() There is an undeniable personal nature to Lindbergh’s photography-his focus on the eyes of his subjects, on their energy, the way in which women blossom under his lens-that reaches for a kind of beauty that exists beyond the surface. Nobody can look like that when they’re 25 years old.” This is one of the last pictures we did together, and look how she looks. "And that word already, people say, you know, ‘Oh, Peter, she’s not a grandmother, don’t say that,’ but I mean, grandmother is nothing bad. That’s a picture of a grandmother,” Lindbergh says, and the actress used the photograph for the promotional materials for her 2011 documentary self-portrait The Look, in which Lindbergh played a prominent role. " turned from the most breathtaking young beauty into kind of a grandmother, really. ![]() It’s so ridiculous to say that?” It is not a traditionally commercial, airbrushed, poreless veneer that attracts him, not by a long shot. “Probably ‘different,’ no? You cannot say that one woman is ‘more beautiful’ than another, though people always do. You cannot imagine anybody more beautiful-" Here, the photographer stops himself. “I’ve been shooting her for nearly 38 years, maybe,” Lindbergh says of Rampling, “and all of the adjectives that I would use to describe her are really unbelievable. ![]()
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